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Nonrepresentational or nonobjective art is not an invention of the twentieth
century. A number of cultures, like the Islamic and Jewish, have developed over
the centuries a high standard of decorative or non-figurative art forms. Today,
abstract art is generally understood to be the form of art that does not depict
objects in the natural world, but instead uses shapes and colors in a
nonrepresentational or subjective way.
According to art experts, in its purest form in Western art, an abstract art is
one without a recognizable subject, one which does not relate to something
external. This type of ornamental art, without figurative representation occurs
today in many cultures. As the modern abstract movement in sculpture and paining
emerged in Europe and North America between 1910 and 1920, two approaches have
been generally accepted to produce different abstract styles: images that have
been "abstracted" from nature to the point where they no longer reflect a
conventional reality, and nonobjective, or "pure" art forms, which do not share
any reference to reality. A further distinction tends to be made between
abstract art which is geometric, such as the work of Piet Mondrian, and abstract
art that is more fluid, such as in the works of Wassily Kandinsky. It was
Kandinsky who once said that "of all arts, abstract painting is the most
difficult. It demands that you know to draw well, that you have a heightened
sensitivity for composition and of colors, and that you are a true poet; this
last is essential."
Abstract art began in the avant-garde movements of the late 19th century
-Impressionism, neo-Impressionism, and post-Impressionism. These painting styles
reduced the importance of the original subject matter and began to emphasize the
creative process of painting itself. As artists in Europe at the early twentieth
century "broke free" from the conventional representational rules art forms had
to follow, figurative abstractions, or simplifications of reality, where detail
is eliminated from recognizable objects leaving only the essence or some degree
of recognizable form, became popular increasing the variations of art forms and
view points. With different abstract styles, like Synchronism and Orphism,
abstract art emphasized on color over form, on feelings over logic. The action
painting of an American Abstract Expressionist, Jackson Pollock, who dripped,
dropped, smeared, spattered, or thrown paint on the canvas, is a good example of
such a tremendous change in art focus and technique.
After the introduction of technology and the mass utilization of software
programs that assisted people "play around" with their own photographs,
paintings or other art forms, abstract art has gained more popularity than ever
before. But although being able to draw well is not an issue anymore, as
Kandinsky pointed out, being a "true" poet is what still separates the amateur
attempts to create abstract art from the artifacts of a true talent.
Jonathon Hardcastle writes articles on many topics including Arts, Family, and
Kids And Teens
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